top of page

šŸ“ The 3 Sins of Vocal Training: Habits That Disconnect Your Diaphragm




Common vocal training mistakes: singing too softly, singing breathily, and holding back during practice.
Common vocal training mistakes: singing too softly, singing breathily, and holding back during practice.

šŸŽ¤ The 3 Sins of Vocal Training: Habits That Disconnect Your Diaphragm

When singers come to me for lessons, they often have good intentions… but also deeply ingrained habits that are quietly sabotaging their progress. I call them the Three Sins of Vocal Training — not because they’re morally wrong, but because they physiologically disconnect the diaphragm, overwork the larynx, and stunt vocal growth.

These habits may feel ā€œsafeā€ or even expressive, but in training, they create tension, instability, and confusion in the body. If you want to build a voice that’s free, powerful, and connected, these are the first things you need to stop doing.


āŒ Sin #1: Singing Softly in Practice

At first glance, singing softly seems gentle — even healthy. But in training, singing quietly is deceptive. It often shuts down breath support and invites compensations higher up: the jaw tightens, the throat over-engages, and your sound becomes ungrounded.

What really happens:Your diaphragm disengages, airflow becomes shallow, and your body has no reason to build the muscular coordination needed for full, supported tone.
Train with clarity and intention, not caution.

āŒ Sin #2: Singing Breathily

Breathiness is often mistaken for emotion or subtlety, especially in pop and jazz styles. But in a training context, breathy singing is a technical dead-end. It encourages poor cord closure, leaky airflow, and bypasses the entire support system.

What really happens:The vocal folds stay too looseĀ to resist airflow properly. As a result, the diaphragm checks out — and the throat steps in to compensate.
Sing connected. Then add air later — if it serves the song.

āŒ Sin #3: Holding Back

This is the most common and dangerous of the three — and the hardest to spot. Holding back can show up as:

  • singing with half-energy,

  • being overly careful,

  • tensing the face,

  • or just ā€œplaying it safe.ā€

What really happens:You short-circuit the body’s natural breath-to-tone systemĀ and shift all the work to the larynx.
Full engagement is what builds freedom.

šŸŒ€ What Connects All Three Sins?

They all have one thing in common:They shut the diaphragm out of the conversation.

Instead of letting your breath, support, and body do the work, you end up relying on the larynx — a small, delicate structure that was never meant to carry the load alone.

šŸ’” What to Do Instead

  • Sing with full tone, even during warmups

  • Aim for clarity, not airiness

  • Practice with energy, not hesitation

  • Learn how to activate your supportĀ system on every phrase

And most of all:Train with curiosity, not fear.

🌟 Ready to Feel the Difference?

If you’re tired of tension, stuck notes, or always wondering if you’re ā€œdoing it right,ā€ the VoceViveā„¢ MethodĀ is designed to reconnect your breath, balance your tone, and free your voice from the inside out.

šŸŽ§ Hear the difference. šŸŽ™ļø Feel the connection.šŸ‘‰ [Book Your First Lesson] or [Learn About the Method]


Comentarios


bottom of page